The line is the first element of drawing. Draw is to order, build a space whose structure support lines. choose which and how to draw is learning to work in this artistic drawing of high school.
For starters, what stands out in any pattern is the contour, ie the line that forms the outer shape of a drawing.
abstract of domestic routes to synthesize the external form is an exercise that requires skills to be practiced. The inner lines, which define how it is made very useful way to draw. Are dintorno. The full dintorno contour, and to establish relationships between forms exterior and interior.
A master of line, Portrait of Gustav Klimt.
Under this apparent simplicity, is a huge range of solutions for a good line drawing.
If you opt for the clean line, or pure, first there must be a smooth embedded, allowing you insert this line to finish the edges with greater security. This line is not continuous but is interrupted when necessary for sharpening indicate a change in the thickness or the importance of the drawn.
This manga drawn by Leonardo line narrows or widens according to the thickness of the volume it represents.
direct pure line requires a great practice, as we see in these drawings by great masters
A century separates these two ways of understanding drawing. The above is an early nineteenth-century master, Ingres, champion of classicism. Has worked with a grid portraits and when in doubt, it highlights a line of great cleanliness and safety.
Below, Egon Schiele, representing the vanguard of early twentieth century Vienna, dismantles the human figure, giving it a haunted expression, not only for the position, but the treatment of a safe but vibrant line contributes to the same strength.
Klimt interested A highlight her face and arm expressing the melancholy of women, so the finish is highlighted, while sketching the rest.
Modigliani alternate line of a single stroke, clean, still visible in the arm and leg. The highlight of the fund enhances the figure-ground separation.
A pure line variety is the tortuous. Teachers in their use are Matisse and Picasso.
These lines combine the sinuosity of the line with the discontinuity. In the picture below, Toulouse Lautrec knowingly breaks the continuity of the stroke to outline changes in direction. The difference in the intensity of the line also helps to enhance the most important lines.
Using the broken line increases ease of expression. Not define a clean edge, but is often used for very expressive pictorial drawings. Changing pressure differences in thickness are obtained that make it more interesting picture. The danger is to believe in the power stroke demiurgic own mask the lack of skill in an alleged desire to express the personality.
The apparent chaos of Giacometti's drawings is meant when one observes that the form arises from accumulation of lines. In reality of this mess come figures of great beauty.
The broken line of this drawing is a good choice. Contributes to the aggressiveness of personaje.El portray shading shows an excellent command of drawing. The author is Jesus Alonso, a cartoonist and illustrator. You can see his work here .
Traditionally
contrast the concepts of line and spot, meaning that the second corresponds to the gradations of light and volume. But are also available online. Normally the line shading are very frequent in the history of painting.
Rembrandt self-portrait. Shading classic guilloche.
the same author, much less finish a sketch showing a clear boundary line and shading broken free, cross in variable directions.
In this portrayal of Toulouse Lautrec the line that sets the hair is much freer than it could be the rubeniana. The shading just follow the structure of hair styling, premium lighting effect that contributes to highlight the face. The line barely sketched the costume helps to highlight the most important.
Any line can be used for aesthetic purposes. In this case an entire network of lines that do not seem to represent anything form a fund that emphasizes the finished part.
An option is also useful line drawings driving is very smooth, very slightly marked, so as to form a thick outline that can be used as the basis for a hatch just suggested. In this work, are marked with greater strength and character lines that make up the most is most interesting highlight of the drawing. An example is the portrait of Sir Thomas Elliot, of Holbein.
Rubens shows the same process at this picture of his son. A very smooth lines define the forms and contours. Harness track of the line for hair is a common resource, as closely mirror strands iconography to its resolution.
Any drawing can be accompanied by "regrets." The arms of this woman of Degas show three or four positions. But the painter did not rule out the picture and continued to work to set up final lines.
Rodin used the line winding, is one of their favorites, but if the stands, obsessed with capturing the joint movement, which inspired the sculptures. Is the release of the finished drawing, the cool effect of the memo, which celebrates the artist's hand, his gesture, above a very finished and closed result.
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