The last was a legendary quartet: Marilyn, Jack, and now Tony Wilder.
Remembering all the good times that made her pass a lot of imperfect followers.
Remembering all the good times that made her pass a lot of imperfect followers.
Thursday, September 30, 2010
Tuesday, September 28, 2010
Watch Elvis The Movie Free On Line With Kurt
THOUSAND AND ONE LINE FACES OF NEGATIVE
Modigliani alternate line of a single stroke, clean, still visible in the arm and leg. The highlight of the fund enhances the figure-ground separation.
The line is the first element of drawing. Draw is to order, build a space whose structure support lines. choose which and how to draw is learning to work in this artistic drawing of high school.
For starters, what stands out in any pattern is the contour, ie the line that forms the outer shape of a drawing.
abstract of domestic routes to synthesize the external form is an exercise that requires skills to be practiced. The inner lines, which define how it is made very useful way to draw. Are dintorno. The full dintorno contour, and to establish relationships between forms exterior and interior.
A master of line, Portrait of Gustav Klimt.
Under this apparent simplicity, is a huge range of solutions for a good line drawing.
If you opt for the clean line, or pure, first there must be a smooth embedded, allowing you insert this line to finish the edges with greater security. This line is not continuous but is interrupted when necessary for sharpening indicate a change in the thickness or the importance of the drawn.
This manga drawn by Leonardo line narrows or widens according to the thickness of the volume it represents.
A century separates these two ways of understanding drawing. The above is an early nineteenth-century master, Ingres, champion of classicism. Has worked with a grid portraits and when in doubt, it highlights a line of great cleanliness and safety.
Below, Egon Schiele, representing the vanguard of early twentieth century Vienna, dismantles the human figure, giving it a haunted expression, not only for the position, but the treatment of a safe but vibrant line contributes to the same strength.
Below, Egon Schiele, representing the vanguard of early twentieth century Vienna, dismantles the human figure, giving it a haunted expression, not only for the position, but the treatment of a safe but vibrant line contributes to the same strength.
Klimt interested A highlight her face and arm expressing the melancholy of women, so the finish is highlighted, while sketching the rest.
A pure line variety is the tortuous. Teachers in their use are Matisse and Picasso.
These lines combine the sinuosity of the line with the discontinuity. In the picture below, Toulouse Lautrec knowingly breaks the continuity of the stroke to outline changes in direction. The difference in the intensity of the line also helps to enhance the most important lines.
Using the broken line increases ease of expression. Not define a clean edge, but is often used for very expressive pictorial drawings. Changing pressure differences in thickness are obtained that make it more interesting picture. The danger is to believe in the power stroke demiurgic own mask the lack of skill in an alleged desire to express the personality.
The apparent chaos of Giacometti's drawings is meant when one observes that the form arises from accumulation of lines. In reality of this mess come figures of great beauty.
The broken line of this drawing is a good choice. Contributes to the aggressiveness of personaje.El portray shading shows an excellent command of drawing. The author is Jesus Alonso, a cartoonist and illustrator. You can see his work here .
Traditionally
contrast the concepts of line and spot, meaning that the second corresponds to the gradations of light and volume. But are also available online. Normally the line shading are very frequent in the history of painting.
Rembrandt self-portrait. Shading classic guilloche.
the same author, much less finish a sketch showing a clear boundary line and shading broken free, cross in variable directions.
In this portrayal of Toulouse Lautrec the line that sets the hair is much freer than it could be the rubeniana. The shading just follow the structure of hair styling, premium lighting effect that contributes to highlight the face. The line barely sketched the costume helps to highlight the most important.
Any line can be used for aesthetic purposes. In this case an entire network of lines that do not seem to represent anything form a fund that emphasizes the finished part.
An option is also useful line drawings driving is very smooth, very slightly marked, so as to form a thick outline that can be used as the basis for a hatch just suggested. In this work, are marked with greater strength and character lines that make up the most is most interesting highlight of the drawing. An example is the portrait of Sir Thomas Elliot, of Holbein.
Rubens shows the same process at this picture of his son. A very smooth lines define the forms and contours. Harness track of the line for hair is a common resource, as closely mirror strands iconography to its resolution.
Any drawing can be accompanied by "regrets." The arms of this woman of Degas show three or four positions. But the painter did not rule out the picture and continued to work to set up final lines.
Rodin used the line winding, is one of their favorites, but if the stands, obsessed with capturing the joint movement, which inspired the sculptures. Is the release of the finished drawing, the cool effect of the memo, which celebrates the artist's hand, his gesture, above a very finished and closed result.
Sunday, September 26, 2010
Romantic Business Slogans
This course 2010 I'm dedicating to art school in Alcalá de Henares.No deny that I'm excited this new adventure, but all these years of shooting plastic ESO have taught me many things . And I've met wonderful people, both students and colleagues. Good luck to all and thank you very much for everything.
negative space titled this post is a discovery center, but was used in an intuitive way to the nineteenth century. Is to draw a figure or figures to focus both on its shape, as the gaps that the course set on the bottom.
is in the East, especially Japan, where he developed this concept, giving exceptional importance. The configuration of the intervals, or "silence" in the image, in this case the negative spaces, as well as sustained a work figures. Consider the paradigmatic case
:
is in the East, especially Japan, where he developed this concept, giving exceptional importance. The configuration of the intervals, or "silence" in the image, in this case the negative spaces, as well as sustained a work figures. Consider the paradigmatic case
:
Hokusai's wave. Studied as a model of perfect synthesis, structure and composition, still hides secrets
Do you recognize a wave in the space around the ocean wave?. The negative space is symmetric positive, how Escher. 
The composition of the design of these so raw bamboo structure silhouetted against the background that works well in any of four positions. 
already commented in another post the significance of the arrival of Japanese prints to the West, and what influenced many painters themes, composition, and drawing . Western painting had focused on representing the space, so that the fund is not perceived as somewhat flat, but as a game illusionist: conical perspective and air.
Since the arrival of images of Japanese art, painters dared to do without these funds to return to the flat tones, and consciously paying attention to negative space.
Since the arrival of images of Japanese art, painters dared to do without these funds to return to the flat tones, and consciously paying attention to negative space.
box Van Gogh, "the almond industry," sums up the way of composing the space of the Orient, with the volume of Western tradition.
Our first year has been a model in two dimensions. This photograph of Mapplethorpe.
was intended that, while working the edge of the industry, learn to look also at the reference which is the hollow space. Normally, we tend to forget its importance. What we seek to represent fills our attention, is the figure, the rest is background. But the fund is plans, which often resemble geometric figures. And it's very easy to copy a geometric figure, much more than an organic form.
Razvan Dan seems to have understood perfectly. And her drawing works. work as follows. The model was placed head to promote the development and testing of spatial vision with the right side of the brain. F igure
The real reference is abstracted to focus on shapes, angles, distances and spaces. The best results of this exercise are the four guys, but I struggled to choose.
The real reference is abstracted to focus on shapes, angles, distances and spaces. The best results of this exercise are the four guys, but I struggled to choose.
Sergio Carreño 
Ruben Delgado 
and Paula Prado, which has been highlighted with the thick line outline.
I hope this is the first of many posts dedicated to their progress and did not stop surprising us.
Wednesday, September 22, 2010
Singapore Obesity Rate 2010
GREEN SPACE, THE LATE COLOR
Not a single plant in nature showing the full range of the green is capable of producing. It's a tricky color. Sample a wide variety of shades from bluish green to grayish green or yellowish. The current facility for any color makes us understand more costly restrictions on the tones present in the paintings of the past. And there's a reason that has little to do with the taste or preference of the artist, but with other more practical values.
Not a single plant in nature showing the full range of the green is capable of producing. It's a tricky color. Sample a wide variety of shades from bluish green to grayish green or yellowish. The current facility for any color makes us understand more costly restrictions on the tones present in the paintings of the past. And there's a reason that has little to do with the taste or preference of the artist, but with other more practical values.
The oldest known green color is obtained from malachite, a semiprecious stone that is copper carbonate.
The Malachite green is a bright color, very stable to light when it is pure and quite opaque. But it is also expensive. The Egyptians got their sites in the Sinai, and malachite green, which covers the body of Osiris and the eyelids of their hieroglyphics and paintings of gardens. Green is a color sacred to the Egyptians associated with immortality.
green lands from green clays, and easily found throughout Europe, but especially in the area of \u200b\u200bthe Veneto, Verona. They are easy to mix with other colors, which get more variety of shades, but with respect to malachite, are duller.
are green lands that frame the Flora on the wall fresco in Pompeii .
isolation and loss of consciousness that led medieval years was immersed in an apparent oblivion to malachite green. In the Middle Ages working with the land. And with a green called verdigris, which comes from the oxidation of copper in contact with alcohol residue. It is a very old recipe that was used extensively with the monastic, especially in Ireland. Much of its illuminated manuscripts contain this color.
Book of Kells
also served this green land for the base of the carnations in the frescoes. Under the figures of Giotto, the green shade is painted on the skin, helping to build the volume.
Giotto. The Nativity. About
XIV century, reappears, possibly through the Arab world, a color that captures and fascinates the artists. Mixed with egg tempera, miniatures decorating the "very rich hours of the Duke of Berry."
Then, with oil, the former malachite recovers all its splendor in Dutch painting of the late Middle Ages. Is, with red and ultramarine blue, the brightest color of his compositions.
's wife "Arnolfini Marriage" displays a magnificent malachite green dress, who has been with the same brightness for five centuries.
Hugo van der Goes, a contemporary of van Eyck uses it in his colorful "Portinari Triptych"
And here a note. As I said in the post about the ultramarine blue, none of these fabrics reflect actual dresses. It would have been prohibitive. To get a green, dyers had to mix blue and yellow, but it turns out that some dry cleaners are dealing with other yellow dyes (in another part of town) of blue. When they got together to do this, they had to take both a mordant in the dye to coat the fabric, the fabric immediately Ahab, and lasted very little. Only
farmers used some gray-green cloth, dyed with mineral pigments, but in muted tones, nothing to do with the meshes of Robin Hood.
Christ among the Doctors, a display of Naples yellow, green and crimson Verona.
Unmistakable rich tone from the seventeenth century Venetian color. The Marriage of Cana
Veronese Green Baroque is green, with green obtained by mixing blue and yellow. And until the nineteenth century will be the green represents nature, obtaining results very artistic, but also very artificial.
Swing. The artificiality of the Rococo nature. Watteau.
development will chemical industry to provide the widest range of shades of green, stable and cheap. Dye fabrics are manufactured to the burgeoning English textile industry, and from there go to the world of artists' colors. Illustrates the emerald green gardens of Monet and Renoir, and it is impossible to conceive without it Matisse or Kandinsky.
For our trained eye, the twenty-first century, this profusion of green in our power, much more difficult to approach the baroque landscape, lacking our means. We can never shirk the feeling of strangeness that we produce reddish brown landscapes of Claude Lorrain or Poussin. But at least we can try to understand why.
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